On Courage and NaNoWriMo

I’m not participating in NaNoWriMo this year because (1) I am too busy and (2) I needed a rest from writing 50,000 words every year since 2005 (count that: that’s almost 400,000 words for the last eight years. 433,000, if you count my 2004). So now I’m not the region’s Municipal Liaison, and I found there’s something different with not doing NaNoWriMo for November after almost a decade (!!!) of doing so.

But that’s not to say I won’t support this wonderful group of writers. So I wrote a pep talk for them this year. I wrote a lot more pep talks in the previous years, but this is the first time I’m writing outside of being an ML.

And as with everything in the past year…I wrote about courage, of course. :)

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I started 2013 with a word. I started this word thing in 2012, really, but my word for 2013 came to me before 2013 actually rolled around. So it feels like it was an extra-special word because it found me.

My word for 2013 was COURAGE.

It became a catchphrase that my friends use for me: The Year of the Brave. In a lot of ways, 2013 has been that kind of year for me — a brave year. It’s hardly ever easy, because courage is never easy. Just some of the brave things I decided to do this year: travel alone, seek a mentor, read books I never thought I’d read, have difficult conversations and write a novel.

Oh, I’ve been writing a novel since 2004, the year I joined NaNoWriMo. But this year, I decided to really buckle down and finish something I started, because I’ve been having 30 days of literary abandon for years only to end up abandoning the thing I wrote soon after I reach 50k. So th is year, instead of doing NaNo, I decided that I will try to be brave and actually finish that darn story, and actually send it out to the world. (Wish me luck on this, I’m almost done revising!)

I digress, and I will stop talking about that, and go back to NaNoWriMo.

When I first joined NaNoWriMo, I had no idea what 50k really meant, in terms of writing everyday and all that. It wasn’t 100k, anyway, so I figure, why not. And then I failed miserably and I didn’t think I’d do it again, but I came back in 2005, ready to get to that 50k because I wanted it. I kept coming back, because it was fun, even if sometimes I had no idea what I was really doing.

My real point is this (because I’m actually quite rusty in writing pep talks now, really, so excuse me :D): whether it’s your first time to join NaNoWriMo or the nth time, I hope you believe that this is a very courageous thing to do. 50,000 words may not seem a lot, but sometime later this month you will probably wonder why you decided to join this in the first place. Or why you decided to join again. You will hit wall upon wall, you will get busy with work or school, and every little thing will distract you from writing your novel. It will be one heck of a crazy ride for November, and one of the key things for you to get to that finish line is to be brave.

It’s probably not the kind of courage that you see with warriors in a battle, but it’s still courage. I believe that deciding to write that novel, taking on that challenge and finding out where your stories and your characters will take you is a brave thing, and I hope you hold on to that for the whole of November. You are a brave writer, and I hope NaNoWriMo helps you become that brave person you are made to be. :)

And if you hit a wall, or many walls, or if you feel like throwing in the towel, I will give you one more advice that has helped me in the first ten months of the 2013: take it one brave step at a time. One word, one page, one day at a time, my dear writers. :) You’ll get there, and it will be a sweet, sweet victory.

And I will be one of the loudest to cheer as you cross that finish line.

Here’s to you, and all the wonderful brave things you will write this month,
Tina

Words fall like rain (#romanceclass lessons)

I figure it’s time to document this experience, even if I haven’t really said much about it except for one post that I connected to musings about my personal life. But since I’ve been itching to blog, and the other things I want to blog about aren’t really bloggable just yet. I’ve been meaning to post about my lessons for this class, though, since it’s kind of a BIG! THING!, so here we go. :)

So like I mentioned in a previous post, I joined Mina V. Esguerra’s Contemporary Romance novella class (aka #romanceclass) because I figured it’s about time I do something like this. I actually wrote “THE END” on my novella about a week before the manuscript was due. It was finished, but I didn’t want to submit it just yet because I knew I had some work to do, like bridging gaps for the parts that I kind of skipped. So I spent the next weekend writing and re-writing and figuring out how to fix my scenes, and trying to see if they’re somewhat coherent before I send my manuscript + book description. I finished it sometime around five in the afternoon on the deadline, and then I started flailing at home because Hey, I actually really finished something this time. After 7 years of “novelling.” Omg. Let us celebrate!

Image from we heart it
Image from we heart it

So, what did I learn from my #romanceclass experience?

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Happy Middles

I joined this romance novel(la) writing class at the start of the year. I didn’t want to, because I’ve always been insecure about my writing and joining an actual class scares me, but I joined anyway because:

  1. The class was free
  2. It is the year of the brave
  3. The class was free is facilitated by one of my favorite local authors.

So I figured: If not now, when?

Fast forward to a couple of months later, I am in the middle of my writing my novel, rushing to meet the class deadline and I realized two things:

  1. The novel is a mess
  2. I don’t like middles

It’s understandable that my novel is a mess right now because it’s a rough draft, and all my novels that went through this phase is such a spectacular mess that most of them get buried underneath all my files in my hard drive. But one thing I realized as I worked on my outline and wrote the story is that writing the middle is always the hardest part.

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“But the middle is how you get to the end!” A writer friend told me when I lamented on this fact over Twitter. I know. Don’t get me wrong — I love reading very good middles, but it can get a bit frustrating when I’m the one writing it. It’s easy to start, and I always know how I want my story to end. I can see those two parts clearly. I know some bits of the middle, of course, but I realized that the ones I have now aren’t really enough to get me to the end. Or, they’re just vague ideas of what I want to happen, but they’re not always connected. They’re little scenes that I know would bring them to that end, but they don’t necessarily form a smooth transition from one part to another, making the readers see how these characters get from Point A to Point Z (or their fictional happily ever after). They’re awkward at best, which isn’t really a problem because I can always refine it. But they’re so hard to write sometimes because it’s not as exciting as that ending I have in my head.

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